“The challenge was then how to get high enough over the print to get it all within one shot.” We’ll remember this account from the team at the British Museum while we try to photograph finished work which is comparatively speaking, quite miniscule!
Ivor Kerslake, Photography and Imaging Manager, British Museum and Joanna Russell, Scientist, British Museum
Before any conservation treatment could commence, and with the Arch now out from behind its screen of glass for the first time in a generation, we were granted the opportunity to create a series of high-resolution images. The British Museum’s newly commissioned photographic studio was cleared for two days and Dürer’s masterpiece was expertly transported down the six flights of stairs and carefully unrolled in the main studio. Because of the fragility of the print we were unable to position the work vertically, which would have made our work considerably easier, so it was delicately unrolled on the floor. The challenge was then how to get high enough over the print to get it all within one shot. This was the first real test of the new facility. We decided to use a mobile extendable work…
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